Rembrandt

Dutch Golden Age painter

Early Modern influential 56 sayings

Sayings by Rembrandt

Of course you will say that I ought to be practical and ought to try and paint the way they want me to paint. Well, I will tell you a secret. I have tried and I have tried very hard, but I can't do it. I just can't do it! And that is why I am just a little crazy.

1660s (approx.) — Attributed, from 'R.v.R.: Being an Account of the Last Years and the Death of One Rembrandt Harmensz…
Strange & Unusual Unverifiable

I envy the poet. He is encouraged toward drunkenness and wallows with nubile wenches while the painter must endure wretchedness and pain for his art.

1660s (approx.) — Attributed, from 'R.v.R.: Being an Account of the Last Years and the Death of One Rembrandt Harmensz…
Strange & Unusual Unverifiable

A painting is not made to be sniffed.

1600s (approx.) — Attributed, widely cited
Strange & Unusual Confirmed

I am also surprised that Your Lordship should complain as much about the price as about the canvas, but if Your Lordship wishes to return it as he did the sketch of Homer, I will do another.

1653-1661 (approx.) — Letter to Don Antonio Ruffo
Strange & Unusual Unverifiable

My lord, Because of the great pleasure and devotion that I have put into the execution of the two pieces which his Highness has had me make, being the one where the dead body of Christ is laid in the grave and the other one where Christ rises up from the dead to the great shock of the guards.

1639 — Letter to Constantijn Huygens, regarding 'The Passion Series'
Strange & Unusual Unverifiable

My lord hang this piece in a strong light and such that one can stand far away so that it will sparkle at its best.

1639 — Letter to Constantijn Huygens, giving instructions for viewing a painting
Strange & Unusual Unverifiable

Sincerity is the eventual deception of all great men.

1600s (approx.) — Attributed, widely cited
Strange & Unusual Unverifiable

A student full of doubt is unable to move forwards and to judge well the truth.

1600s (approx.) — Attributed, from 'R.v.R.: Being an Account of the Last Years and the Death of One Rembrandt Harmensz…
Strange & Unusual Unverifiable

The greatest thing is to make a portrait that resembles the model, and then to paint it so that it is a beautiful work of art.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

Do not seek to be a great painter, but a great man.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

He who is not a master of himself will never be a master of painting.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

Choose an author as you choose a friend.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

Painting is none other than the imitation of nature, but the imitation must be so artful that it deceives.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

The eye is the true mirror of the soul.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

I am not a painter, I am a thinker.

Mid-17th century — Attributed, general sentiment, less directly verifiable as a direct quote.
Strange & Unusual Unverifiable

Drawing is the soul of painting.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

The work of art is a confession.

Mid-17th century — Attributed, general sentiment, less directly verifiable as a direct quote.
Strange & Unusual Unverifiable

Learn to see.

Mid-17th century — Attributed, general sentiment from his work and teaching
Strange & Unusual Unverifiable

A good painting is like a good deed. It is never lost.

Mid-17th century — Attributed, general sentiment, less directly verifiable as a direct quote.
Strange & Unusual Unverifiable

Look at everything always as if you were seeing it either for the first or last time.

Mid-17th century — Attributed, general sentiment, less directly verifiable as a direct quote.
Strange & Unusual Unverifiable